An Essay on the Use of a Poetic Entropy

The simplest poem can contain one word and still hold every bit of meaning equal to a dissertation of those thoughts that invented it. Such poems can impact to a greater extent because they are not confined to a lesser standard of definition, they are more open, and adaptable to any single individual they may glance upon it. I shall give them the name of entropies, as the scientific term is a collective disorder energy. Such poems can emanate any possibility, and with a single word can come millions of thoughts and questions, and more of a movement than any description of standard poetic appeal could. Such “entropies” might be questionable with its traditional romantic appeal, but these are barriers that must be broken in order to gain a higher plane of thought. Punctual input can also change the perception of such a word; For instance, “Truth” can bear any number of meanings but when a word appears with a minute punctuation, like “Truth!”, this can cause a different path to break away in thought such as that the “truth” is found or a sort of in your face mocking, in which can alter your original structure of “truth”. Furthermore, the question mark and others are endless punctuations which can similarly give an alternate perspective; “Truth?”. The daily form of an entropy poem is graffiti. Common occurrences such as “Love” help spread thought in a place where no thought was previously given. Also, I might add a entropy doesn’t have to be a single word, but a compact statement that contains more than the words themselves. I once saw: “$ this is your god”, strewn across a walkway brick. This is the simplest form of publication, words which are placed in one geographic place, yet travel with the people who read them. Anything that which goes about provoking thoughts opposed to the government issued ones, can be seen as entropy, as they seek to give disorder or a bit of thinking “outside the box”.